Κυριακή, 19 Αυγούστου 2012

Phenomenal Woman - Maya Angelou


First published by Maya Angelou in 1978, Phenomenal Woman is an anthem of women's strength in their own womanhood. 

Pretty women wonder where my secret lies. 
I’m not cute or built to suit a fashion model’s size
But when I start to tell them,
They think I’m telling lies.
I say,
It’s in the reach of my arms,
The span of my hips,
The stride of my step,
The curl of my lips.
I’m a woman
Phenomenally.                                                                   
Phenomenal woman,
That’s me.

I walk into a room
Just as cool as you please,
And to a man,
The fellows stand or
Fall down on their knees.
Then they swarm around me,
A hive of honey bees.
I say,
It’s the fire in my eyes,
And the flash of my teeth,
The swing in my waist,
And the joy in my feet.
I’m a woman
Phenomenally.

Phenomenal woman,
That’s me.

Men themselves have wondered
What they see in me.
They try so much
But they can’t touch
My inner mystery.
When I try to show them,
They say they still can’t see.
I say,
It’s in the arch of my back,
The sun of my smile,
The ride of my breasts,
The grace of my style.
I’m a woman
Phenomenally.
Phenomenal woman,
That’s me.

Now you understand
Just why my head’s not bowed.
I don’t shout or jump about
Or have to talk real loud.
When you see me passing,
It ought to make you proud.
I say,
It’s in the click of my heels,
The bend of my hair,
the palm of my hand,
The need for my care.
’Cause I’m a woman
Phenomenally.
Phenomenal woman,
That’s me.
          


Maya Angelou on Home, Belonging, and (Not) Growing Up

by 
“I am convinced that most people do not grow up … our real selves, the children inside, are still innocent and shy as magnolias.”
In 2008, Maya Angelou — one of the greatest voices in American literature — penned Letter to My Daughter (public library), a collection of 28 short meditations on subjects as varied as violence, humility, Morocco, philanthropy, poetry, and older lovers, addressed to the daughter she never had but really a blueprint to the life of meaning for any human being with a beating heart.
In the first essay, simply titled “Home,” Angelou offers this poignant lens on identity, growing up, and belonging.
Thomas Wolfe warned in the title of America’s great novel that ‘You Can’t Go Home Again.’ I enjoyed the book but I never agreed with the title. I believe that one can never leave home. I believe that one carries the shadows, the dreams, the fears and dragons of home under one’s skin, at the extreme corners of ones eyes and possibly in the gristle of the earlobe.
Home is that youthful region where a child is the only real living inhabitant. Parents, siblings, and neighbors, are mysterious apparitions, who come, go, and do strange unfathomable things in and around the child, the region’s only enfranchised citizen.
[...]
I am convinced that most people do not grow up. We find parking spaces and honor our credit cards. We marry and dare to have children and call that growing up. I think what we do is mostly grow old. We carry accumulation of years in our bodies and on our faces, but generally our real selves, the children inside, are still innocent and shy as magnolias.
We may act sophisticated and worldly but I believe we feel safest when we go inside ourselves and find home, a place where we belong and maybe the only place we really do.

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